Tuesday, November 24, 2009

Forgetting One's life.


To live a full life, a life of goodness and kindness, faith in God and driven to spread the Good News, is a CALLING.

As child, I dreamt of becomimg a Monk, giving myself to God and God only.

As I developed into puberty and later, adolescence, my sex-drive clouded any dreams of becoming a priest.

Sex was a sin unless you were married; I committed this sin, too many times.

As an adult, somewhat an old man now, my views have changed.

Young Love is the closest to God one can ever experience.

What makes me happy is the JOY in some one's eyes; two people in-love, holding hands and that indescribable energy that emanates around them.

I think, " Love is Real and very close to God."

The light is pure and also so bright...

I grew up to believe that there are GOOD men on this planet. Women and men who go out of their way to help someone in need.

This belief makes my life worth living.

We live on a very strange planet, however.

Why would a man devoted to his family and a minister of a church, who only preached the value of kindness, develop a devastating disease that makes one lose their memory? This disease aggressively pushes the memory of your life OUT, to the extent of forgetting your family, one's son, one's wife, who YOU are...

For the last week, my mind was constantly on my ex-brother-in law's father, a Minister of a church. He had been diagnosed with this particular disease four years ago; a quiet conversation between his son and I some years ago , he said, "I'll know it will only get worse and everyday I pray for the guts to deal with him."

I tried to contact the Uncle of my son, to no avail.

My mother found the Minster's number and I made the call.

I was, of course, a little angst but made the call any way.

Surprisingly, He answered the call.

The man is Scottish, thus, because of his accent, I knew I was talking to the right man.

"My name is Craig, your old grandchild's' uncle!

"Who?"

"Remember I came to your church one time and listened to your sermon about love and kindness."

Silence.

In his thick Scottish acsent, he said, "No, I do not remember you."

"I know it is you. You have a son named, Paul."

Silence- at least 15 seconds...


"No, I do not have a son named, Paul."


The poor man's mind was gone.

"I'm sorry I bothered you, sir."

"That's okay", he said,

"It's nice to hear a friendly voice."

Then he hung-up the phone.

I have to admit it, I'm a wimp, and cried after the phone call.

To have lived a life devoted to helping others' to strive to become good people, to then have one's memory taken away is... cruel.

Life is a beautiful and cruel mystery, yet somehow in the deepest recesses of My memory, we are MEANT to FORGET.

At least for a time.

Sunday, October 25, 2009

Young Love



It was late afternoon last week when sitting out side writing in my journal at an attempt to describe those people and objects around me.


The afternoon had been very hot and a cool change, a soft wind, soon made the area more comfortable.


It seemed I had been writing a long time, looking at the sky turn crimson, when I noticed two young people half laying on the grass and gazing into each other's eyes.


There is no doubt that I was observing "young love", reminding me of a sentimental scene from some forty's film.


As a writing exercise, I tried to describe both their emotions and body language.


Then, I suspect, the boy must have said something to the beautiful young woman for she suddenly stood up, turned in a huff, and walked in the opposite direction. The young man called out to her but she ignored his pathetic apologies and left through the door.


The poor boy looked devastated, running after her like a broken hearted puppy.


Oh, the games we play in love!


What I found interesting was how sudden their mood changed from a love scene to a "lover's spat."


Sometime I miss the intensity and almost unendurable passion of young love. Then only a few seconds pass and I remember the pain and loss that young love brings as well. Is it worth the pain? At times I think "no", and other times remember the passion and overwhelming pleasure of it all to then ask myself if it was even worth the trouble.


"It is better to have loved and lost than never to have loved at all." as the saying goes.

Looking back, for me at least, it was worth the trouble, because thankfully, the heart is a resilient muscle.

Tuesday, December 16, 2008

Divine Chance - A Short Story

Note: I wrote this piece late last week, and thought it appropriate to post here for the Christmas Season.

At a time shortly after WW1 in the city of Moscow a middle-aged man, appearing close to death, is in dire need of warm clothing, food and shelter. Because of the winter months in Moscow, the temperature can drop as far as 100 degrees below zero; it is not so much the temperature of the air but the scathing winds that blow through the streets that can turn an unprotected body into a brittle object of ice. Uri, walking aimlessly through the streets, found a small alleyway, curling against a brick wall to escape the wind.

Since deserting the Red Army a month ago, he wore only a thin sheepskin coat, a cotton shirt and worn leather boots that barely protected his feet from the small pebbles along the road, let alone the cold. As the wind continued to whip through the streets like a swipe of the hand from the devil, Uri prayed to God for a small respite for his misfortune.

Freezing to death is a long, painful experience; as time travels forward, as consciousness weakens, one’s awareness moves dangerously close to that irrevocable slumber; death was stalking the streets, seeking out Uri.

Uri peered upward and in a whisper, uttered a prayer:

'Lord, I know I do not deserve to live, but please spare me, and with all my soul, the rest of my life will be devoted to you!'

Uri believed the Revolution and the fall of the Czar would change Russia for the better. The two-year drought, however, seemed to never end. Many good families died from starvation. Then the unexpected Civil War broke-out between those loyal to the Czar, the “White Loyalists” and those revolutionaries’, intent on change for all “workers”, joined Lenin and Trotsky, calling themselves the Red Army. The Russian people were dying by the millions, and for Uri it was a confusing time, not only for him, but the entire Russian people.

Uri’s life changed forever, when Trotsky’s Death Squads raided his home one early morning. The memory was chaotic, flashes of moving disjointed images, only echoes of shouts, gunfire and pleas for mercy. He does remember his beautiful wife, Ivana and his son, Vadim ruthlessly shot in the back of their heads. Confused, the rest of the memory is only a haze. He could not recall his youngest, Svetlana, a mere four years of age, receiving a bullet before he was handcuffed and dragged away from his home.

Uri thought: ‘Can my darling daughter be alive? No, it is not possible. She would have been sleeping with her mother…. Svetlana must be with the Lord.’

Uri was taken to a camp, an area of tents and small fires that in their sheer numbers resembled the sparkle of the night sky. He then was fitted with an odd uniform, though very warm, and given an old, rusted rifle used in the 18th century. Along with the antiquated firearm, he was handed only three bullets.

“Make these bullets last and make them count! Because supplies are low, you must show the generals’ that you are a true patriot of the revolution. Otherwise, (he sniffed, spat in his hand and wiped the snot on his trousers)…you will be shot like a dog.”

2.

The Supply Officer appeared to Uri like an over-sized bulldog; a frosted beard, and his left ear stuck-out like an odd branch of a tree. He spoke in a gravely voice like a demon or a heavy drinker that smokes too many cigars.

Lost in the pangs of hunger and post-trauma-induced haze, Uri was brought back to reality to the shouts of the General in charge addressing a haggard, limp group of peasants with rusted rifles and only three bullets each, and were expected to perform like trained soldiers – a pseudo-battalion of misfits and starving men.

In an unusually loud voice with the accent of a Ukrainian, he began:

“Comrades, you are all very fortunate men. Now that the Evil Regime of the Czar and his family has been, well, eradicated, we now face new enemies. Listen carefully; these men are the manifestation of the devil himself! The workers’ of the world will unite because of the greatness of Comrades' Lenin and General Trotsky. Tomorrow you will fight our enemy’s with true vengeance and, will most likely die in the attempt. At the least comrades’, you will die for the Cause and be remembered with honour!”

“Dismissed!”

The General turned with his hands clasped behind his back; his face turned downward, his lips moving as if praying. He entered his tent, and all could hear his booming voice echo throughout the camp:

“VODKA!”


*


The dawn cracked revealing a thick fog, an eerie mist, that hovered over the battlefield like a rising damp from Hell.

General Demedov shouted orders out into the semi-darkness to his troops to fall into formation: those “loyal to the Cause”, formed a line in the back, their guns loaded and ready. Those men like Uri, farmers, peasants, poor shop owners, factory workers, who’d been forcefully conscripted, who could not be trusted, were ordered to form along the front line, facing the White Army, eye to eye…

Sitting on a magnificent white horse, General Demedov galloped back and forth at the head of the front lines, the mist from Hell clearing, stopping directly in line with Uri and the other starving misfits.

“Because the enemy is all around us, perhaps even the man beside you, could well be a traitor. General Trotsky’s orders are clear: if you hear anything, one word of treason against our Cause, you must kill them without hesitation.”

3.

The General then ordered something to his second in command. A man was dragged out in front of Uri in chains, his face unrecognisable from the beatings the night before. It was obvious to Uri that this man was an aristocrat, royalty because, despite his horrible wounds, his demeanour reflected a quietness, a man educated and privileged – a loyalist from a long line of family that ruled over Russia for over half a millennium.

The general yelled at the prisoner: “Who are you loyal to? The revolution and the people of Russia or the pigs that have treated the people with disregard and contempt?”

General Demedov then pulled out his pistol, pointed the gun to the man’s head, but did not pull the trigger. “I’ve changed my mind, bring me a sabre!”

In a few moments, Demedov was handed a sword and, after forcing the aristocrat to his knees, took aim and be-headed the loyalist; the mouth of the head began to move as if he was trying to speak, rolling to Uri’s feet.

“Our enemy’s are legion, and General Trotsky has ordered to kill all those that oppose us; kill them without a second thought. Do you understand?”

There was no response from the battalion, only a silence.

Demedov continued: “If you choose to run and not fight the enemy, our trusted one’s will be behind you, ready to shoot any coward in the back!”

Uri followed those who’d been ordered to the front lines. He felt nothing except the terrible thought, ‘We are merely human shield’s against the enemy.’

He crossed himself and said the Lord’s Prayer under his breath.

As the stench from Hell lifted, in the distance, Uri could see the out-line of thousand’s of troops, marching in unison, all singing a familiar song of loyalist patriotism to the Czar.

The battle would soon begin.


*


Minutes passed, the mist had disappeared, and the White Army stood in perfect formation no more than one hundreds yards away. The eerie tone of a thousand men singing their praises to the Czar only added to Uri’s empty terror…that feeling which most soldier’s feel before a battle is about to commence.

Across the short expanse, Uri saw a solider on a white horse raise his gleaming sword into the air; the solider dropped his sabre and screamed, “Attack!”

4.


The Cossacks, once the Czar’s personal body guards, galloped on their white horses at full pelt, their sabre’s drawn, screaming an old Russian war cry…

The Red Army’s captain, Demedov, rather than send his own Calvary, ordered the front line to meet the well-experienced Cossacks on foot – a suicide command, like lambs sent to slaughter.

Despite Demedov’s order to attack, not a single man moved, but fell to their knees, making the sign of the cross, their heads lowered to the ground.

As the Cossack’s approached, the man kneeling next to Uri fell forward on his face: half of his head gone from a Red Army bullet from behind.

The Red Army began shooting their own men rather than the Cossacks. This, of course, made the killing much more simple. Interestingly, however, the Cossack’s ignored the front line as if they did not exist, to then begin slaughtering those men on the back lines, those loyal to Trotsky.

Uri could see nothing but blood and carnage…so much blood! He observed a man screaming at the top of the hill, staggering through the dead bodies, his right arm missing, spurting a flow of blood from the large gape when, mercifully, a Cossack on horseback, walked his horse by the man and cut off his head in a single swoop, ending his misery.

Once the Cossacks were satisfied with their task, the entire Red Battalion dead or severely wounded, made one last round, putting those wounded to death.

Uri crawled next to a man who’d been shot from behind by Trotsky’s men though he was alive and groaning loudly. Uri covered his mouth, whispering, “Be quiet if you want to live!”

It felt like hours before the Cossack’s finally retreated. The sun sat on the horizon; Uri then dragged the wounded man into the dense forest next to the battlefield to safety.


*

The wounded man’s name was Vadim, the same name as Uri’s dead son. The bullet had entered his back only centimetres below his left shoulder blade, missing his left lung. Feeling through Vadim’s coat, he felt an exit wound and knew the only way to save his life was to some how stop the bleeding. Night began to descend along with the godless cold. If something wasn’t done soon to stop Vadim’s bleeding, he would be dead within the hour and Uri would be alone.

In an act of mindless desperation and mercy, Uri removed his uniform jacket, instantly feeling the bite of the cold. He wanted Vadim to live so much, from a place of strength within his
soul; he tore his jacket sleeves off, and the coat in long think strands, creating bandages for the wounded man. He wrapped the ‘bandages’ around Vadim using his own bootlaces to then prop Vadim’s body against a tree, applying pressure to the wound.

The devil’s wind began to blow through the trees, and without a coat, Uri would soon be dead from the low temperature.

When the moon was at its brightest, as the night had a cloudless sky, Vadim awoke and smiled at Uri, whispering, “Thank you. The angel’s of God will be with you.”

Vadim’s eye’s closed as he fell into an eternal slumber.

Soon the wind flew into a rage, determined to kill Uri or any living thing. Then he heard his name called out from the distance.

“Uri, wake up child and follow me.”

Uri opened his eyes and saw a man dressed as a Roman Centurion, holding a long spear, his helmet glistening from the light of the moon.

“Who are you stranger?”

“My mission is not to tell you my Name but to take you home.”

The Centurion lifted Uri to his feet and covered him with his thick crimson cape. At last Uri felt warm again, but an unusual warmth coming from within as well as all around him.

Together they walked through the White Army’s camp, yet strangely no one noticed them.

Soon the Centurion and Uri reached the city of Moscow…Uri’s home. When the Centurion removed his cloak from around Uri he could fell the freezing cold once again.

The Centurion spoke:

“Uri, as a spirit of God, you sacrificed your own life for a stranger. This is Love. Go forth into the city and you will find that Love you seek!”
The Centurion walked through the crowd of the city streets and soon disappeared.


*



5.


Uri’s eyes opened again as he remained against the brick wall of the alley. The snow had stopped falling, and the devil’s wind was now sleeping. He closed his eyes and felt death to be his only option, when two people grabbed him and carried the man away.

Uri opened his eyes to a warm fireplace, the flames rising high and the wood spitting and cracking – a familiar and beautiful sound. He looked to his right and their standing above him was Svetlana, his little girl.

“Papa, you wake!” She smothered her father with kisses.

“Is that you my little mouse?”

“Yes Papa, it’s Svetlana!”

“But my little mouse, I thought I’d lost you to those terrible men.”

Out from the back of the kitchen, a voice resounded:

“You are lucky my brother, Uri! We knew the Red Army had killed your family and we lost hope for you. By the grace of God we found Svetlana walking the streets…a true miracle!” He made the sign of the cross. “Then we find you! My brother you should be dead.” Tear's fell from his eyes.

“What happed to you?”

“I will tell everything my brother, but please let me hold my little mouse by the warmth of the fire. I cannot let her go…I love her too much!”

At that moment, there was a loud knock at the door. All in the room jumped to their feet expecting Trotsky’s men to raid their home and murder the women and children.

Mishka, Uri’s brother, reluctantly answered the door.

No one was there, except for a long spear leaning against the frame of the door. Mishka lifted the spear, feeling its heavy weight, and noticing the bright shimmering metal point.

Turning the spear on its side, written in the wood; etched in clear Latin, was the word:


LOVE.



Ends

Tuesday, November 18, 2008

Dishonesty - Is it Ever Justified?

My plan before making this entry was to expound on the subject of dishonesty and if lying in any situation or even life saving situations, is ever truly justified.

I've changed my mind.

After thinking about the subject, having to describe Kant's Categorical Imperative in order to argue one way or the other, has been done way too many times, however, in the last month or so, I've caught people lying, and in varing forms of grey to black, and their reponse was always surprising, when confronting them with their deception.

More often than not, those caught would continue lying so as to cover the discoverd lie...and so it goes...lie upon lie.

What did Hamlet say: "What a tangled web we weave when first we practice to deceive."

In other words, the more one lies, the easier it becomes, and farther into the hole one slides.

This week I attended a Renting Tribunal because I believe lies have been put forth in order to attain my money.

The magistrate directed us to the Bible, placing our respective right hands upon the holy text, and swear NOT to lie. This we did.

The first question from the magistrate was: "Has Mr. Middleton seen the photographs and paper work related to this case?"

The woman stammered, tried to lie, then caught herself vomiting nonsense. (She had just sworn Not to lie.)

He put his hand up, gestering to the stammering woman to stop talking.

He turned to me, "Mr. Middleton, have you seen the photgraphs and the landlords case?"

"No, sir."

"Mr. Middleton, I seeyo have written material in front of you. Do you wish to address this Tribunal?"

I read half a page but was stopped because "counter claims" were being made, thus the case will have to continue at a later date.

I have much lesser examples, lies about things in which lying was not necessary, but the individuals lied anyway. In certain circles this is called "Pathological Lying"

This week and last week, I've come across too many examples to mention here. My point, however, is society growing less intolerant to dishonesty?

Perhaps.

Are we becoming a society of cowards, where everyone lies from the highest levels of government down to an uneducated, twenty something Real Estate Agent bullying her way to make an extra buck?

Without truth there is no trust, and without trust there is no justice or love for that matter.

Are there situations in life that one encounters that justifies lying?

Maybe, but that discussion is for another time.

Friday, October 17, 2008

Melbourne's Real Estate Renting Rort.



You must give some time to your fellow men. Even if it's a little thing, do something for others - something for which you get no pay but the privilege of doing it.Albert SchweitzerFrench philosopher & physician (1875 - 1965)


If memory serves, not more than five years ago, renting a place to live was a fundamentally elementary exercise. One would find a flat or house that filled their wants and needs, front up to the real estate agent, grab the key, (usually handing over a small deposit of not less that $20) and personally inspect the property, to return with a decision: “I like the place. When can I move in?” Processes would be followed, that is, application, references etc. If one's references proved worthy, approval usually would come back, at the latest, in a week. Deal done. Now, this has all changed for the worse.

Needless to say, the world economy has fallen into a recession.

As the United States, the centre of the world's financial global network, has taken a nose dive, due, I expect, to greedy corporations and the billions of dollars spent on the destruction and occupation of one of the oldest civilizations in recorded history: Iraq. It is the opinion of many, that the current U.S. President, G.W. Bush, has not only destroyed the land of the ancients, but also his own country, due to personal gain and his incestuous relationship with Arabia and Israel.

What has this war really accomplished? Absolutely nothing. (Accept for the elites).

As has been happening since people have been documenting history, war and exploitation, always, the rich simply get richer and the common man, woman and child fall head long into poverty. This reminds me of what my father used to say. “There's a white elephant standing in the middle of the room, yet no one will talk about it!”

Which brings me to the current rental real estate market.

There are three major stresses that an individual must withstand: divorce, death and shifting premises. What is currently happening in the Melbourne real estate market, is a mirror reflection of the world economy. What does this mean?

Five to ten years ago, the economy was apparently in a boom. People with desposable income began to invest in “rental properties”, with the goal of getting rich. All was going great for a few years but currently these “investments” have become a burden because of growing interest rates and the price of land dwindling. Now the word is: sell! sell! Sell!

Unfortunately, as a renter for the last two years, my landlord and her incompetent real estate agent gave me 60 days to vacate the premises because she needs to SELL!

What is diabolically ironic, is the real estate agents are creating a FALSE scarcity, that is to say, the only way you can see a property is by “open for inspection”, where, at times, 30 to 40 people show up to find a place to LIVE. We submit our applications, and may the best person win. This is rorting in the extreme. Despite it being damn against the law: a punter will bid above the advertised weekly price, and, of course, they will obtain the property.

Example: I was “promised a property” because of being asked to vacate. The estate agent said, “Don't worry about anything, if you want the apartment it's yours – fill out an application just so it's on file.” “Thanks, XXXX, we'll take it.”

I stopped looking for places to live stupidly assuming I had the apartment. No call from the agent. Just over four days later, thinking something must be “rotten in Demark”, called to be told the landlord gave it to another punter! No call, nothing. Back to square one.

These agents are playing a game; in some cases, there is no “open for inspection” times advertised, thus I ring them up and the response is usually, “Give us your number and we'll get back to you.” For example, I made 10 calls and got one call back!

My point is that there is NOT a scarcity of homes for rent. One only needs to drive the city streets to see “For Lease” signs every where or peruse the paper or the Net to find literally 100's of property's but the agents, in their greed or will to power, are making it almost impossible for your average Joe to have what all of us need most – a roof over one's head!

To be honest, this is downright appalling if not bordering on facism.

Out of pure luck or divine intervention, found a place in the hills from a PRIVATE OWNER!

If anyone with authority reads this, please investigate, and the “white elephant”, hopefully, will be revealed.

Thursday, October 02, 2008

Death of a Friend and Musician Brings Forth Reflection for an Entire Town


"I am going to concentrate on what's important in life. I'm going to strive everyday to be a kind and generous and loving person. I'm going to keep death right here, so that anytime I even think about getting angry at you or anybody else, I'll see death and I'll remember."
Diane Frolov and Andrew Schneider, Northern Exposure, Do The Right Thing, 1992



Over the last 6 months, I've attended a “music night” at my local pub in the hills. This is an opportunity for musicians' without a gig or a platform to play their “stuff” for a live audience. These nights are good fun because it's a chance to meet musicians' of all types from metal, blues, folk, pop and moderate rock and roll. The experience can also be a bit intimidating because sometimes the talent moves far beyond “amature”, bordering on pure genius. What is so good about this night, despite ones skill or talent, no-one is judged and all receive the same pay – a free drink. It was on one such night that I met Heath...a guitarist of natural talent, his instrument a 'third arm', so to to speak, who also possessed the humility of a Trappist Monk.

Heath played for the House band, Fats Wa Wa, a blues/rock group with an incredible sound.

I remember one such “music night”, after I played a set of my own, that Heath put his hand gently on my shoulder and whispered, “That sounded good, mate.” To say the least this was a compliment of the highest order considering Heath's level of skill and talent.

It has been a month since attending “music night” in the Hills due to moving back down to the suburbs. I had lost touch with most of these people, so with guitar strapped to my back, headed up there to catch up and possibly belt out a few tunes.

When I walked into the pub, something had changed, that joy the pub is famous for wasn't there; it was then I was told that only two weeks prior, Heath, after playing and celebrating the opening of the pub's new restaurant cafe, while walking home was hit by a car and died at the age of 27. Heath is also the father of a six year old child.

The town went into shock and over a thousand people attended Heath's funeral.

I was not contacted, as most all were in shock, and calling me was the last thing on their minds.

When a whole town grieves it is almost palpable.

That night three bands played. No one mentioned a thing. The feeling was “life goes on” and let's play our best. Of course everyone was so glad to see my sister and I that, in retrospect, felt like a type of 'home coming'. We are part of the family and was welcomed back with open arms. (Don't remember so many hugs in one night.)

To say the least, I've been a bit lost, reflecting, looking back at Heath's talent and natural skill as a guitarist, but most of all his humility. He had nothing to prove because the music said it all.

To state the obvious, life and death are mysterious; and it is in the quote above that my and the town's reflections have concluded.

We will miss Heath greatly.

Saturday, September 27, 2008

A Literary Document of Great Worth.



A Review and comment on "Jack Kerouac Selected Letters 1957 - 1969".

For any biographer or historian the original letters of the subject is a valuable and extremely important source of information in order to gain insight into the time period, and/or the person under study.

In part 2 of Kerouac's Selected Letters, the text truly gives the student or curious, a penetrating look into this enigmatic and ultimately tragic American author. For many, Jack Krerouac represents an important shift in American literature but also a significant historical (literary) mark of an entire generation. Ann Charters, (Kerouac's first biographer) editor of this volume, has done a pain-staking and beautiful job with this book - we come to know him as a man, the artist and his concerns; generosity, relationships; his struggle with the demon drink and, most importantly, the development of his unique prose style, leading to his now iconic status.

The letters begin in the year (1957) when "On the Road" was published. At this stage of Kerouac's life, from the tone and content of his letters, he is excited, finishing incomplete manuscripts, organizing "get- togethers', writing his publisher and working on new projects. As the years progress, sadly, his drinking accelerates, he becomes more and more misanthropic and, in the end, paranoid. It is true - it was the booze that killed his body but it was fame as an author that murdered his soul. More than likely, it was both.

Ann Charters suggests that these letters were experiments in style and possible new ideas for future projects, his friends perhaps 'sounding boards' where the reader can see his development of what is famously known as "spontaneous prose".

Kerouac was also a prolific poet. Some call his "novel", Mexico City Blues, one long, epic poem. This particular book, for me, was difficult to read, until viewing the piece as poetry - it was then the penny dropped and the book became much easier to read.

An example of a little poem written for Stella Sampas to Gary Snyder from Japan:

"A poem to Stella Sampas?"

"After the shower,
Among the drenched roses,
The bird thrashing in the bath

After the shower,
my cat meowing
On the porch"

It has always been my opinion that Jack's poetry is underrated, but that's neither here nor there.

Kerouac wanted his letters to be published thus he kept copies in neat files by year.

Close to the end of Jack's life just prior to writing and eventually publishing "Vanity of Dulouz" (1968), he narrates that by day he would write like a demon possessed, and by night, almost akin to some strange ritual, burn his day's work, page by page, only to start again the next morning. One can interpret this action in many ways: the Art fot Art's sake sensibilty; a process of purification as an artist or perhaps an experiment with the creative process itself. Who knows? However, the images in my minds eye of this action, are strong with an unidentifiable meaning.

Anyone interested in American literature, pursuing a research project or wanting greater insight into the man, these letters are an invaluble historical document revealing the inner workings of the "Beat Generation" that continues to affect most modern writing to present time.

Icon of Modernism - Review of Marc Chagall (Bio) by Jonathan Wilson



The reader turns the first page of this little book to see the 1929 oil on canvas painting, "Lovers" by Marc Chagall. The painting depicts a man and woman seated and embracing; the woman's head turned inward on the man's breast, while the man, an expression of calm and contentment, peers upward, watching a winged angel flying overhead, across a deep purple sky. The painting has the deep and rich signature colour of all Chagall's work, though lacks the intense emotional suffering and ambivalence that makes up so much of his oeuvre, however this painting evokes a mystical love, a true love which, in my opinion, expresses the relationship between the artist and his beautiful wife, Bella.

As part of the Jewish Encounter project, Marc Chagall by Jonathan Wilson is one contribution devoted to the promotion of Jewish literature, culture, and ideas.

It can be observed that most of Chagall's work, according to the author, is an expression of his philosophy, his religious sensibility if you will, in the form of the "literalization of metaphors", deeply grounded in the mystical and symbolic Hasidic world and Yiddish folktales, which include in their writings the "repository of flying animals and miraculous events." (P. 13)

It is impossible to label Chagall's work as "Expressionism", but the representation of an acute imagination, coloured in fantasy, depicting highly charged religious symbols, including in several works, Christs Crucifixion in a variety of contexts. What I love about Chagall is the viewer is drawn into the work by its striking colour and busy subject matter and is compelled to study it, because the meaning of the painting must be discovered as it is not apparent on a superficial viewing.

Wilson does a wonderful job of narrating Chagall's life in terms of the major events that the artist experienced, spanning through the Russian revolution, two world wars, the Holocaust and the establishment of the State of Israel. Wilson suggests that in viewing Chagall's paintings against the backdrop of these major historical events will see the artist's work as a response to them, and his personal inner conflict between his "Jewishness" and his focus on Christ's Crucifixion, and also his attempt at secularism in many of his paintings.

My favourite paintings by the artist are his various representations of love that display an ethereal, mystical quality, a sublimeness that to me captures love in their most revealing forms, as Wilson comments, "Chagall's vision of love, so appealing to the human soul, frequently involves a merging of two faces, or bodies, into one. In this regard he is Platonic, as his figures pursue their other halves in an apparent longing to become whole again. Over and again he paints the myth that Aristophanes recounts in The Symposium." (P.174)

Chagall's life Wilson suggests was an attempt through his art at the reconciliation between two worlds, a genuine effort universalizing or merging opposites, he writes, "In his paintings, past and present, dream and reality, rabbi and clown, secular and observant, revolutionary and Jew, Jesus and Elijah...all commingle and merge in a world where history and geography but also the laws of physics and nature have been suspended." (P. 210)

Wilson's Marc Chagall is an erudite biography and insightful critical work. Although relatively short in length, manages to capture the artist who is considered along with Picasso and Matisse, one of the icons of Modernism.


Homage to Apollinaire. 1911-1912. Oil on canvas, 209x198 cm.


Originally published on Amazon, 2007


C. Middleton